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• Future Shock Deck List Template

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Future Shock is pianistHerbie Hancock's thirty-fifth album and a million-selling Platinum-certified disc. It was Hancock's first release from his electro-funk era and an early example of instrumental hip hop.

Background[edit]

Much of the album was initially composed by the team of avant-gardebassist and record producerBill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982, as a precursor to recording the follow-up album to Material's One Down album (on which Whitney Houston was the lead singer on a cover of the Soft Machine song 'Memories'). Hancock was approached to collaborate on this recording that would go towards a postmodern direction, instead of his usual jazz-fusion. The result was a hip-hop influenced album, released under Hancock's name, which combined Hancock's keyboard playing with Laswell's arrangements and Grand Mixer DXT's turntablism.

Djay pro for windows torrent pc. According to 1999 re-issue's liner notes, when Laswell went to buy speakers at a music equipment store he would insist on testing them by playing the demos of 'Rockit' and 'Earth Beat'. While those songs were played through the speakers, passing by customers apparently liked what they heard and danced to the music. Soon after Laswell let Hancock know about the incident, eventually telling him – 'We got something good here.'

Future Shock is the title name from Hancock's remake of the Curtis Mayfield song from ten years earlier, also featured here.

'Rockit', the album's big hit, was accompanied by one of the most successful music videos of the era. The video, directed by Godley and Creme of 10cc fame, featured dancing robots made by Jim Whiting, moving around to the beat of the music and the turntable scratching. Hancock won several MTV Music Video awards in 1984, as well as the Grammy award for best R&B performance.

The album's cover art was derived from a work created by David Em.^[7][8]

Reception[edit]

Robert Christgau commented 'As a guy who likes his funk obvious, I think those who esteem 'Rockit' as highly as Head Hunters are too kind to Head Hunters. Small thanks to Herbie, lots to Material and Grand Mixer D.St., it's the best novelty instrumental in years and the best pop of Hancock's life. Elsewhere various bright ideas, such as Pete Cosey, are obscured by the usual aura of set-piece dink--jumpy enough and often fun, but fusoid nevertheless.'^[3] Richard S. Ginell of AllMusic wrote 'Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables -- and the immediate result was 'Rockit,' which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can't help but inject a subversive funk element when he comps along to the techno beat -- and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of 'Auto Drive.'^[1]

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Track listing[edit]

All tracks written by Herbie Hancock, Michael James Beinhorn and Bill O. Laswell, except where noted.

1. 'Rockit' – 5:28
2. 'Future Shock' (featuring Dwight Jackson, Jr.) (Curtis Mayfield) – 8:05
3. 'TFS' – 5:47
4. 'Earth Beat' – 5:13
5. 'Autodrive' – 6:27
6. 'Rough' (featuring Lamar Wright) – 6:58

Remastered CD Bonus Tracks

7. 'Rockit (Mega Mix)' – 6:18

Production credits[edit]

Production

• Herbie Hancock
• Dominick Maita (engineer at RPM)
• Martin Bisi (engineer at OAO)
• Dave Jerden (mix)
• Howie Weinberg (mastering)

Band

• Herbie Hancock – piano, synthesizer, Fairlight CMI, keyboards
• Bill Laswell – electric bass
• D.ST. – turntables, 'FX'
• Pete Cosey – electric guitar
• Michael Beinhorn – keyboards
• Daniel Poncé – percussion
• Sly Dunbar – drums, percussion
• Dwight Jackson Jr. – lead vocals on 'Future Shock'
• Lamar Wright – lead vocals on 'Rough'
• Bernard Fowler, D.S.T., Roger Trilling, Nicky Skopelitis – backing vocals

References[edit]

1. ^ ^abGinell, Richard S. (2011). 'Future Shock – Herbie Hancock AllMusic'. allmusic.com. Retrieved 18 July 2011.
2. ^Zeltner, Mark (2011). 'Herbie Hancock – Best of Herbie Hancock, Future Shock, Sound System, Perfect Machine < PopMatters'. popmatters.com. Retrieved 18 July 2011.
3. ^ ^ab'Consumer Guide Reviews'. Robert Christgau. Retrieved 23 June 2018.
4. ^Futterman, Steve (2011). 'Herbie Hancock – Future Shock review'. web.archive.org. Archived from the original on March 3, 2009. Retrieved 18 July 2011.
5. ^'Herbie Hancock'. warr.org. 2010. Retrieved 18 July 2011.
6. ^Swenson, J. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 94. ISBN0-394-72643-X.
7. ^'Approach [1975] – Em, David – V&A Search the Collections'. Retrieved March 27, 2016.
8. ^Joël Vacheron (February 12, 2016). 1983 – a blackened window on the world (Speech). Lift Conference 2016. Geneva, Switzerland. Retrieved March 27, 2016.

Future Shock is a televisionvariety show produced and hosted by James Brown from 1976 to 1979.^[1][2][3] Shot in Augusta and Atlanta, Georgia and broadcast late on Friday nights on the Ted Turner-owned UHF station WTCG, it featured local amateurs performing a variety of popular and emerging dance styles, including disco, locking and popping, and early breakdancing,^[4] to prerecorded music. Brown and his musical guests also performed briefly. Other regular features included dance contests, interviews, and segments on African-American history. 'Future Shock (Dance Your Pants Off)', a song written by Brown and recorded by Maceo Parker with The J.B.'s, served as the show's nominal theme music,^[5] though it was not consistently used.

Following the example of Soul Train, Future Shock was syndicated nationwide in the United States, but it failed to attract sponsors and ceased production within three years. It has not been officially released on recorded media, and with the exception of a handful of episodes recordings of the show have long been presumed lost.^[6]

References[edit]

1. ^Leeds, Alan. (2008). 'Timeline'. The James Brown Reader: Fifty Years of Writing About the Godfather of Soul, xv. New York: Plume.
2. ^Brown, James, and Bruce Tucker (1986). James Brown: The Godfather of Soul, 245. New York: Thunder's Mouth Press.
3. ^https://www.imdb.com/title/tt1024807/
4. ^Smith, R.J. (2012). The One: The Life and Music of James Brown, 358-360. New York: Gotham Books.
5. ^Leeds, Alan. (1995). Funky Good Time: The Anthology [CD liner notes]. New York: Polygram Records.
6. ^Simins, R. (1996). 'Future Shock Cannot Be Stopped: A closer look at James Brown's super rare, super funky TV show'. Grand Royal #3, 14.

External links[edit]

Deck List Yu-gi-oh

• A collection of Future Shock footage curated by WFMU

Future Shock Deck List Template